Eve Fowler, wholly body, fluttering its empty sleeves, 2019, Acrylic polyurethane on aluminum, 49 x 68 x 1 1/2 inches, 124.5 x 172.7 x 3.8 cm

Karl Haendel, I have spoken when I could have been quiet., 2021, Pencil on paper, 50 x 46 x 2 inches, 127 x 116.8 x 5.1 cm

Ebecho Muslimova, Fatebe Explosive Diarrhea, 2012, Sumi ink on paper, 12 x 9 inches, 30.5 x 22.9 cm

Casey Kauffmann, Cassandra (drawn 2) Installation View at Lyles & King, 2021

Casey Kauffmann, Cassandra (drawn 2), 2019, Chalk pastel on paper, 4 3/4 x 6 inches, 12.1 x 15.2 cm

Casey Kauffmann, Taylor (drawn 2), 2019, Chalk pastel on paper, 8 1/4 x 9 3/4 inches, 21 x 24.8 cm

Anne Collier, Woman Crying (Comic) #31, 2020, C-print, 49 3/4 x 64 5/8 inches, 126.4 x 164.1 cm, Edition 4 of 5 + 2 APs

Devin N. Morris, Happy To Have It, 2021, Oil, acrylic, oil pastel, color pencil, birthday candle wax, gouache, watercolor, collage, wood veneer, wood door trim, house paint, ink, brass beads, plastic ribbon, wood spoon, sand, color pigment on canvas, 92 1/2 x 46 1/4 x 4 1/4 inches, 235 x 117.5 x 10.8 cm

Devin N. Morris, Happy To Have It, 2021 (side view)

Devin N. Morris, Happy To Have It, 2021 (detail)

Shona McAndrew, Shona and Lily, 2021, Watercolor on paper, 37 7/8 x 23 5/8 inches, 96.2 x 59.8 cm (paper)

Shala Miller, Me and the Mango Both Have Flaws/Me and the Mango Get Along/To Seem Sweet Only Without the Skin, 2015, Kallitype prints, Unique, Dimensions variable

Shala Miller, Me and the Mango Both Have Flaws, 2015, Kallitype prints, Unique, Dimensions variable

Shala Miller, Me and the Mango Get Along, 2015, Kallitype prints, Unique, Dimensions variable

Shala Miller, To Seem Sweet Only Without the Skin, 2015, Kallitype prints, Unique, Dimensions variable

Sophia Stevenson, Untitled Chain, 2020, Kanekalon hair, Polyethylene foam, pine wood and hairspray, Dimensions variable

Sophia Stevenson, Untitled Chain, 2020 (detail)

Michael Haight,Observation of Inner Intangibles, 2021, Watercolor, Tempera, and Gouache on Canvas, 40 x 30 in, 101.6 x 76.2 cm

Michael Haight, Mindful Soft Gift to the Intangible Past, 2021, Watercolor, Tempera, and Gouache on Canvas, 40 x 30 inches, 101.6 x 76.2 cm

Marcel Alcalá, Carnitas (West Hollywood), 2021, Oil on canvas, 18 x 15 inches, 45.7 x 38.1 cm

David Pagliarulo, Mother, 2020-21, Tampa Bay Times “Perspective” section (dated Sunday, December 6, 2020), Wall Street Journal “Review” section (dated Saturday/Sunday, November 7-8, 2020), Mom’s pen ink, 21 1/2 x 16 1/2 inches, 54.6 x 41.9 cm

Kiyan Williams, Terrestrial Form (Pour # 2 after Benglis and Serra), 2021 (back), Earth, binder, synthetic fiber, hardware, vaseline, black truffle, steel base and armature, 41 x 5 1/2 x 19 1/2 inches, 104.1 x 14 x 49.5 cm

Kiyan Williams, Terrestrial Form (Pour # 2 after Benglis and Serra), 2021 (alternate view)

Kiyan Williams, Terrestrial Form (Pour # 2 after Benglis and Serra), 2021 (detail)

Martine Gutierrez, Masking, Pineapple Mask, p53 from Indigenous Woman, 2018, C-print mounted on Sintra, 20 × 16 inches, 50.8 × 40.6 cm, Edition of 8

Math Bass, Newz!, 2020, Oil on linen, 40 x 38 x 1 1/4 inches, 101.6 x 96.5 x 3.2 cm

Mike Kelley, Untitled, 1983, Ink, acrylic, and pencil on paper , Part 1: 28 1/4 x 42 1/2 inches,  Part 2: 18 x 47 1/4 inches, Part 3: 17 5/8 x 15 1/2 inches

Young Joon Kwak, Surveillance Mirror Vaginis III, 2020, Fiberglass resin, acrylic surveillance mirror, dirt, rocks, silver leaf, polystyrene, 65 x 40 x 13 1/2 inches, 165.1 x 101.6 x 34.3 cm

Young Joon Kwak, Surveillance Mirror Vaginis III, 2020 (detail)