Sarah Miska & Carla Edwards

Twist to strengthen

April 11 - May 10

Opening Reception Friday, April 11, 6-8 PM

Press Release

Lyles & King is pleased to present Twist to strengthen, a two-person exhibition by Sarah Miska and Carla Edwards. 

The exhibition features paintings by Miska alongside fabric wall works and rope floor sculptures by Edwards. Connecting their practices is a fastidious approach to materials and an impulse to deliver incisive cultural critique. The show’s title Twist to strengthen,* can be read as a command or an action, referring to aspects of physical labor that are at times depicted or imbued within their works. Across Miska and Edwards’ work, there is a quietly foreboding sensibility, an interplay between domination and wildness, as well as a shared, distinctly American, visual lexicon.

Sarah Miska

Reining In, 2025

Acrylic on canvas

48 x 36 inches, 121.9 x 91.4 cm

Sarah Miska

Hoggin’ String, 2025

Acrylic on canvas

20 x 16 inches, 50.8 x 40.6 cm

Sarah Miska

Training, 2025

Acrylic on canvas

48 x 60 inches, 121.9 x 152.4 cm

Carla Edwards

Good Work, 2024

Cast iron, rope, encaustic

16 x 13 x 18 inches, 40.6 x 33 x 45.7 cm

Carla Edwards, Good Work (Detail View)

Sarah Miska

Weaving Plate, 2025

Acrylic on canvas

14 x 11 inches, 35.6 x 27.9 cm

Carla Edwards

Landmark, 2025

U.S. flags, dye, bleach

54 x 56 x 2 inches, 137.2 x 142.2 x 5.1 cm

Carla Edwards

Nine to Five, 2025

Rope, encaustic, pigment, aluminum, cast concrete, concrete rag

21 x 12 x 36 inches, 53.3 x 30.5 x 91.4 cm

Carla Edwards

Tear, 2025

U.S. flags, dye, bleach

57 x 50 x 2 inches, 144.8 x 127 x 5.1 cm

Carla Edwards, Tear (Detail View)

Carla Edwards

Don't Be Here When I Get Back, 2025

Steel, rope, encaustic, pigment, flexible neon

23 x 43 x 70 inches, 58.4 x 109.2 x 177.8 cm

Sarah Miska

Straight On, 2025

Acrylic on canvas

20 x 16 inches, 50.8 x 40.6 cm

Carla Edwards

TBT, 2025

Rope, encaustic, pigment, steel, cast concrete, brass finials

78 x 20 x 40 inches, 198.1 x 50.8 x 101.6 cm

Sarah Miska

Branding Day, 2025

Acrylic on canvas

48 x 36 inches, 121.9 x 91.4 cm

Sarah Miska, Branding Day (Detail View)

Sarah Miska

Unravelling, 2025

Acrylic on canvas

14 x 11 inches, 35.6 x 27.9 cm

Sarah Miska

Winter Ride, 2025

Acrylic on canvas

60 x 72 inches, 152.4 x 182.9 cm

Sarah Miska, Winter Ride (Detail View)

Carla Edwards

Drip, 2024

U.S. flags, dye, bleach

Sarah Miska

Standing Strong, 2025

Acrylic on canvas

20 x 16 inches, 50.8 x 40.6 cm

Sarah Miska

Red Tape, 2025

Acrylic on canvas

40 x 30 inches, 101.6 x 76.2 cm

Sarah Miska

Pulling Taught, 2025

Acrylic on canvas

20 x 16 inches, 50.8 x 40.6 cm

Sarah Miska, Training (Detail View)

Sarah Miska (b. Sacramento, CA) received her BFA from Laguna College of Art and Design in 2007 and her MFA from Art Center College of Design in 2014. She has had solo exhibitions at Lyles & King, New York; Micki Meng, San Francisco; Night Gallery, Los Angeles; and Hernando’s Hideaway, Miami. Miska’s work has been featured in group shows at Matt Carey-Williams, London; Masey Klein, New York; Praz-Delavallade, Los Angeles; Spazio Amanita, Los Angeles; Below Grand, New York; Dread Lounge, Los Angeles; Super Dutchess, New York; and Wilding Cran Gallery, Los Angeles, among others. She is a 2022 subject of “In the Studio,” W Magazine’s culture series, Frieze Magazine, Contemporary Art Review Los Angeles  Artillery Magazine, among others. Her work belongs in the permanent collections of the Institute for Contemporary Art, Miami and Long Museum, Shanghai. Miska lives and works in Los Angeles. 

Carla Edwards (b. Illinois) received her MFA in Sculpture from the Rhode Island School of Design, Providence, RI and BFA from The School of The Art Institute of Chicago. She has exhibited her work nationally and internationally, including at the Studio Museum in Harlem, New York, NY; Louisiana State University Museum of Art, Baton Rouge, LA; Crystal Bridges Museum of American Art, Bentonville, AR; Paula Cooper, New York, NY; Nuit Blanche Toronto, Canada; Volta5, Basel, Switzerland; and Night Gallery, Los Angeles, LA, among other venues. She has exhibited public sculpture at the Socrates Sculpture Park in Queens, NY and at Lighthouse Works, NY. The artist is an alumna of Skowhegan School of Painting and Sculpture and was a studio fellow in the Whitney Independent Study Program. Her works are included in numerous private collections and the public collections of Crystal Bridges Museum, Bentonville, AR; Institute of Contemporary Art, Miami, FL; Vera Institute of Justice, Brooklyn, NY; and JP Morgan Chase. She lives and works in Brooklyn, NY.

*”Twist to strengthen" is a phrase pulled from “A Knotted Line Is Not the Shortest Distance,” a poem by Frances Richard. This poem was included in What Happens Between . It was published in 2022 by CCA Wattis Institute for Contemporary Arts and Sternberg Press.