News
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Lynsey Addario’s RAW, Poignant Photography at Lyles & King
Art Currently, by Ilaria Michie
October 22, 2024
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RAW, Lynsey Addario | Lyles & King Gallery
Musée Magazine, by Rae Quinn
October 21, 2024
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Conflict Photojournalist Lynsey Addario’s First Solo Show Spotlights Rarely Seen Sides of War
Vogue, By Emma Specter
October 18, 2024
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‘Mom, I Want to Live’: A Young Girl Battles War and Cancer
The New York Times, Lynsey Addario and Liubov Sholudko
October 4, 2024
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Tableaux Rosa: Sexuality is on the table at Lyles and King Gallery, NYC (Review)
Artefuse, by Bash Ortega
September 27, 2024
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Software as Underpainting
Eyebeam, by Brian Droitcour
September 26, 2024
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Our Critic’s Must-See Gallery Shows on New York's Lower East Side
Cultured, John Vincler
September 25, 2024
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Spirit House
Exhibition at Cantor Arts Center, Stanford University
September 4, 2024- January 26, 2025
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Seventy Miles in Hell
The Atlantic, By Caitlin Dickerson, Photographs by Lynsey Addario
August 6, 2024
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There's No Place Like Home: Elmer Guevara’s "Recess" at Lyles & King
Humphrey Magazine, by Karissa Ho
July 16, 2024
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For five decades, Mira Schor has blended concept and image
Document, by Drew Zeiba
July 5, 2024 -
What to See in N.Y.C. Galleries in July
The New York Times, by Yinkna Elujoba
July 3, 2024 -
Catalina Ouyang’s Torture Garden
ArtReview, by Jenny Wu
June 11, 2024 -
The Thorny Elisions of Catalina Ouyang's "Trick"
Asian American Arts Alliance Magazine, by Terry Nguyen
June 7, 2024 -
Courting Contradiction: A Conversation with Catalina Ouyang
Sculpture Magazine, by Marcus Civin
June 5, 2024 -
The mother and the monster in Catalina Ouyang’s ‘Trick’
Document Journal, by Grace Byron
June 4, 2024 -
Rosa Loy & Neo Rausch: Bläue
Kostüme und Bühnenbilder für Lohengrin Bayreuther Festspiele 2018 at Grafikstiftung Neo Rauch
May 25, 2024 - April 27, 2025 -
Mira Schor: Five NYC Shows to Round Out Your April
Hyperallergic, by Valentina Di Liscia
April 16, 2024 -
‘It’s Been a Marathon’: Mira Schor on the Triumphs and Tragedy of the Older Woman Artist ‘Finally Getting Her Due’
Cultured, by Ella Martin-Gachot
April 3, 2024 -
Akea Brionne’s Uncanny Rhinestone Tapestries Unsettle Memory and the Familiar
Colossal, by Grace Ebert
March 29, 2024 -
Akea Brionne — Vivid tapestries merging dreams with history and folklore
WEPRESENT - WeTransfer, by Allyssia Alleyne
March 27, 2024 -
Catalina Ouyang Interview
Foundwork, by Sophia Giovannitti
March 2024 -
CalArts and the Rediscovery of the Feminist Art Program
carla, by Catherine Wagley
February 2024 -
The New Painter: Chris Dorland
Artist talk at Dallas Contemporary
April 18, 2024, 6:30 pm -
Interview with Elmer Guevara
Contemporary Art Review Los Angeles, by Sigourney Schultz
February 2024 -
In pictures: Frieze Los Angeles’s Focus section explores the notion of ‘ecologies’
The Art Newspaper, by Alexander Morrison
February 29 -
Women Artists to Watch at Frieze Los Angeles
The Cut, by Evan Nicole Brown
February 21, 2024 -
Essence Harden’s “Ecologies” of the Present at Frieze Los Angeles 2024
Frieze
January 4, 2024 -
Decoding Threads with Akea Brionne Seen in her New York Debut “Roses in Southern Soil” at Lyles & King Gallery
Art Currently, by Yasmina Cabrera
January, 2024 -
2023 Foundwork Artist Prize awarded to Valerie Asiimwe Amani Catalina Ouyang, Clifford Prince King, and Sonia Almeida named to short list
e-flux Agenda
January 24, 2024 -
T&C Design Dispatch: A Dallas Home Done by Chad Dorsey, Tory Burch Opens L.A. Concept Store, and More Plus, Akea Brionne's show at Lyles & King Gallery
Town & Country, by Isiah Magsino
January 23, 2024 -
Akea Brionne: "Roses Grow in Southern Soil" @ Lyles & King, NYC
Juxtapoz
January 11, 2024 -
MUST SEE - Akea Brionne Roses Grow in Southern Soil
ARTFORUM artguide
January 2024 -
Akea Brionne named to "Forbes' 30 under 30"
Forbes
January, 2024 -
5 Artists on Our Radar in 2024
Artsy
January 8, 2024 -
In Her Photo-Based Tapestries, Detroit Artist Akea Brionne Conjures an Afro-Surrealist World
Artnet, by Katie White
December 15, 2023 -
Jessie Makinson’s Kaleidoscopic Paintings Are Brimming With Art Historical Footnotes
Artnet, by Katie White
November 17, 2023 -
Chris Dorland on the transformation of reality
Hidden Gems, by Willa Koerner
November 17, 2023 -
Artists to Watch This Month: 10 Solo Gallery Exhibitions in New York to Have on Your Radar in November
Artnet, by Annikka Olsen
November 9, 2023 -
Entretien Avec Mira Schor - Le Langage Est Un Aspect Essentiel De mon Existence
Beaux Art, by Alexandra Bordes
October, 2023 -
Lyles & King to Exhibit at Art Basel Miami Beach with Aneta Grzeszykowska and Catalina Ouyang
Art Basel Miami
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Catalina Ouyang Selected for Fountainhead Residency 2024
Fountainhead
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Zoë Buckman on Her Latest Show at Lyles & King
WideWalls, by Widewalls Editorial
Oct 23, 2023 -
Zoë Buckman Interviewed by Philo Cohen
BOMB Magazine, by Philo Cohen
October 4, 2023 -
Zoë Buckman On Tenderness, Her Evolution as a Woman and Mother, and Embroidering Her Largest Works To Date
Colossal, by Grace Ebert
September 28, 2023 -
Artist Zoë Buckman Has Channeled Her Personal Traumas Into Raw and Intricate Embroidery Portraits, Now on View in New York
Artnet, by Sarah Cascone
September 22, 2023 -
Artist Zoë Buckman Celebrates Feminine Resilience and Tenderness in New Work
WWD, by Kristen Tauer
September 22, 2023 -
Jewish Artist Zoë Buckman’s Creations Demand to Be Seen
Jewish Journal, by Alan Zeitlin
September 21, 2023 -
Kathy Ruttenberg: The FRONTRUNNER Interview
FRONTRUNNER, by Shana Beth Mason
August 14, 2023 -
“This Is Out of Hand”
Sculpture, by Maura Thomas
September 13, 2023 -
Kathy Ruttenberg: Twilight in the Garden of Hope
The Brooklyn Rail, by Alex A. Jones
September, 2023 -
People of the Otherworld: Ken Kiff in Dialogue
The Brooklyn Rail, by Alfred Mac Adam
Jul/Aug 2023 -
PAAM Celebrates Mira Schor the Painter
The Provincetown Independent, by Dorothea Samaha
Aug 9, 2023 -
Ken Kiff Group Show: People of the Otherworld at Albertz Benda, NYC (Review)
ARTEFUSE, by Liz Scheer
Aug, 2023 -
Blissed-Out Art-Overdose: Upstate Art Weekend 2023
Chronogram, by Taliesin Thomas
July 25, 2023 -
'People of the Otherworld: Ken Kiff in Dialogue' opens at albertz benda
artdaily.com
July 14, 2023 -
5 Must-See Summer Group Shows in NYC
FAD Magazine, by Vittoria Benzine
July 10, 2023 -
A Boy’s Life on the Front Lines
The New York Times, photographs, videos and text by Lynsey Addario
June 26, 2023 -
In a Young Face, the Price of War
The New York Times, By Terence McGinley
June 28, 2023 -
Kathy Ruttenberg: Chronogram's Top Picks for Upstate Art Weekend
Chronogram, by Brian K. Mahoney
July 1, 2023 -
Lynsey Addario, Known for her Searing Images of Conflict, Is the First Photo journalist to Join Lyles and King
Artnet, by Sarah Cascone
June 2023 -
The LGBTQI+ Gaze: Go Pride Month Gallery Cruising at These 6 Queer-Centric Exhibitions
Artnet, by William Van Meter
June 2023 -
Kathy Ruttenberg: Twilight in the Garden of Hope
AirMail, by C.M.
June 2023 -
Whitehot Recommends: Rosa Loy: Herbarium at Lyles & King
Whitehot Magazine
June 2023 -
An Alternative to Frieze? 21 New York Galleries Have Banded Together for a Group Show of Works From the 1970s
ArtNet, By Taylor Dafoe
May 17, 2023 -
When 1970s art feels current: new pop-up fair 'disrupts the usual fair week' in New York
The Art Newspaper, by Torey Akers
19 May 2023 -
Seeking Histories and Futures in Soil
Hyperallergic, by Yota Batsaki
May 2023 -
Penny Slinger and Polly Borland's Photographic Playground
Cultured, by Ella Martin-Gachot
April 7, 2023 -
Finding One Another in Misrecognition: Summer Kim Lee Meets Catalina Ouyang
Momus, by Summer Kim Lee and Catalina Ouyang
April 2023 -
10 Women Who Found Freedom in Their Art
Cultured, by Annie Lyall Slaughter
March 22, 2023 -
Inside Kiyan Williams’ Earthen Odes to Ancestral Power
them, by Wren Sanders
April 2023 -
The Black Artists Claiming More Space Than Ever Before
The New York Times Style Magazine, by Emily Lordi
March 2023 -
Trans Abstractions, Decomposing Figurations: Young Joon Kwak and Kiyan Williams
Texte Zur Kunst, by Morgan Lancaster
March 2023 -
The Moon Is Trans: On Cultivating An Aesthetics of Reaching / Jeanne Vaccaro in conversation with P. Staff and Kiyan Williams
Texte Zur Kunst, by Jeanne Vaccaro
March 2023 -
Chris Dorland, historian for the future
Two Coats of Paint, by Sharon Butler February 25, 2023
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Shala Miller: WYBCx Yale University Radio
WYBCx Yale University Radio, by Brainard Carey
January 31, 2023 -
Shala Miller: What to See in N.Y.C. Galleries Right Now
New York Times, by John Vincler January 26, 2023
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The Body of Absence. Nine questions about the art of Aneta Grzeszykowska
Artscore, by Michela Ongaretti January 18, 2023
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IN THE STUDIO WITH SARAH MISKA, THE PAINTER REEXAMINING THE HORSE GIRL
Ishonest,
2022 -
Symbionts: Contemporary Artists and the Biosphere
Air Mail, by J.D.
2022 -
Shala Miller: The Ten Best Art Books of 2022
The Brooklyn Rail, by Re’al Christian December 2022 - January 2023
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Shala Miller: The Defining Exhibitions of 2022
Art News, by Alex Greenberger December 21, 2022
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Lily Wong Navigates The Self
Office, Text by Michael Hall
December 03, 2022 -
Kiyan Williams Puts the American Flag in a Frying Pan
Cultured, by Elisha Tawe
December 2, 2022 -
Lily Wong: Various Small Fire
Artillery, by Lauren Guilford
Dec 1, 2022 -
ZAK Berlin : State of emergency – Polish photo art today
The Eye of Photography Magazine
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Whose Mother Is Nature Anyway?
Hyperallergic, by Annabel Keenan
November 24, 2022 -
Together Forever Caroline A. Jones discusses “Symbionts,” biology, and mutual responsibility
Frontier Magazine, by BRIAN SHOLIS
NOV 11, 2022 -
Mira Schor: Six must-see gallery exhibitions during Paris+ par Art Basel
Art Basel October 18, 2022
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Has War Changed, or Only War Photography?
The New York Times, by Arthur Lubow
Oct. 13, 2022 -
Mira Schor: The Language of Painting
AWARE, by Matylda Taszycka September 30, 2022
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Kiyan Williams, Unsettling the Histories of Public Sculpture
Monument Lab, by Marica Antonucci
Septemer 26, 2022 -
Rosa Loy at Frauen Museum
Frauen Museum (DE)
September 11 - December 11, 2022 -
Armory Show 2022: the Young Galleries That Stole the Show
Ocula, by Annabel Downes
13 September 2022 -
Catalina Ouyang & Kiyan Williams: Hyperallergic Fall 2022 New York Art Guide
Hyperallergic August 31, 2022
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Catalina Ouyang: Kimball Art Center inspires curiosity and reimagining nature in new exhibitions
Town Lift, by Kevin Cody August 29, 2022
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Aneta Grzeszykowska: How Photography Became Gamified
Creative Review, by Megan Williams August 9, 2022
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Centre Pompidou : Thomas Fougeirol – Jo-ey Tang : Dust : The Plates of the Present
The Eye of Photography Magazine
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Aneta Grzeszykowska: UK photography exhibitions: a lens on the best
Wallpaper, by Sophie Gladstone July 28, 2022
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Field Trip: Black Atlantic at Brooklyn Bridge Park
Tribeca Citizen July 15, 2022
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Kiyan Williams: "Black Atlantic," temporary sculpture exhibition at Brooklyn Bridge Park, explores Black identity
CBS News, by Hannah Kilger July 14, 2022
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An Expansive New Show Celebrates Five Decades of Feminist Art
Artsy, by Isabel Ling
Jul 8, 2022 -
Hammer Projects: Kiyan Williams
Hammer Museum Jul 8, 2022
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Catalina Ouyang & Kiyan Williams in '52 Artists: A Feminist Milestone'
The Aldrich Museum, Curated by Amy Smith-Stewart
June 6, 2022 - January 8, 2023 -
Lily Wong’s Cinematic Paintings Are Filled with Suspense and Longing
Artsy, by Harley Wong June 6, 2022
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Kiyan Williams: Your Concise New York Art Guide for June 2022
Hyperallergic, by Billy Anania.
June 1, 2022 -
Hammer Projects: Kiyan Williams
Hammer Museum, Curated by Erin Christovale.
May 2022 -
Aneta Grzeszykowska: At the Venice Biennale, a Surreal and Intimate Showing for Photography
Aperture, by Luca Fiore
May 26, 2022 -
The Best Shows to See in New York During Frieze Week 2022
Frieze, by Travis Diehl
20 MAY 22 -
Kiyan Williams: Black Atlantic
Surface Mag May 17, 2022 - November 27, 2022
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Kiyan Williams: Black Atlantic at Brooklyn Bridge Park
AirMail News May 17, 2022–November 27, 2022
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Kiyan Williams: Editors’ Picks: 14 Events for Your Art Calendar This Week, From New Paintings by Marc Quinn to a Show About Rockaway Beach
Artnet, by Sarah Cascone May 17, 2022
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Kiyan Williams: Six must-see shows during Frieze New York
The Art News Paper, by Gabriella Angeleti, Benjamin Sutton and Wallace Ludel May 16, 2022
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Kiyan Williams: Public Art Fund Unveils ‘Black Atlantic’, Along Brooklyn Bridge Park’s Waterfront
GothamToGo May 17, 2022
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Kiyan Williams: New public art exhibit in Brooklyn Bridge Park explores ‘hybrid identities’ created by diaspora
6sqft , by Aaron Ginsburg May 17, 2022
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Kiyan Williams: New Art Exhibition Explores How the African Diaspora Influenced Cultures Around the World
WNYC, By David Furst. May 16, 2022
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Kathy Ruttenberg: Three exhibitions to see in New York this weekend
The Art Newspaper, by Benjamin Sutton & Gabriella Angeleti
April 15, 2022 -
PICK OF THE WEEK: Farley Aguilar
Artillery, by Lauren Guilford April 14, 2022
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Critics' Picks: Kathy Ruttenberg
Artforum, by Robert Becker
April 13, 2022 -
Goings on About Town: Kathy Ruttenberg
The New Yorker, by Johanna Fateman
April 1, 2022 -
Catalina Ouyang: Perilous Embodiment
Flash Art, by Jane Ursula Harris
Spring, 2022 -
A Survey of Selfhood: Lyles & King’s I is Other by Madi Shenk
Irradicant
2022 -
Tossing and Turning: Kathy Ruttenberg
Haber’s Art Reviews, by John Haber
March, 2022 -
Kathy Ruttenberg: Sunshine at Midnight
Brooklyn Rail, by Mary Ann Caws
March 23, 2022 -
Kathy Ruttenberg: Sunshine at Midnight
AirMail News March 19 – April 30, 2022
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"How Jessie Makinson’s carnivalesque paintings 'purposely misunderstand historical imagery'"
It’s Nice That, by Olivia Hingley
March 7th, 2022 -
Jessie Makinson at the British Museum
Fad Magazine, by Mark Westall
March 4, 2022 -
Phumelele Tshabalala: Contemporary Portraiture by Black Artists at LA Art Week 2022
Cool Hunting, by David Graver
February 25, 2022 -
Art Basel Names 289 Exhibitors for Marquee Swiss Fair This June
ARTnews, by Maximilíano Durón
February 24, 2022 -
Chris Hood: 8 Buzzworthy Artists to Watch from Felix LA
Galerie, by Paul Laster February 22, 2022
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Womanhouse, 1972/2022
Exhibition at Anat Ebgi Gallery,
February 18th - April 2nd -
“Womanhouse—the original matrix for feminist art—turns 50”
The Art Newspaper, by Jori Finkel
February 17th, 2022 -
Financial Times: Kathy Ruttenberg
Financial Times, by Victoria Woodcock
February 6, 2022 -
Aneta Grzeszykowska: Venice Biennale Reveals Artists for 2022 Edition
Artforum
February 2, 2022 -
Sun Woo on how her nomadic childhood inspires her painting practice
It’s Nice That, by Daniel Milroy Maher
26 January 2022 -
Frontrunner Magazine: A Conversation with Mira Schor
Frontrunner Magazine, by Shana Beth Mason
January 19, 2022 -
THEGUIDE.ART: Jessie Makinson
THEGUIDE.ART, by Noah Dillon
December 2021 -
Artist Kiyan Williams on social justice, performance and … dirt?
Stanford Daily, by Kyla Figueroa November 18, 2021
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Forms That Don't Yet Exist: Kiyan Williams Interviewed by Louis Bury
Bomb Magazine, by Louis Bury
November 10, 2021 -
The New Yorker: Jessie Makinson/Phumelele Tshabalala
The New Yorker, by Johanna Fateman
November 8, 2021 -
Catalina Ouyang & Kiyan Willams: The Aldrich Museum Is Updating Its Landmark Feminist Art Show From 1971 With a New Generation of Women Artists
Artnet, by Sarah Cascone October 13, 2021
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frieze: Catalina Ouyang Questions White Male Allyship
frieze, by Simon Wu
October 8, 2021 -
Artforum: "Critics Picks: Catalina Ouyang at Lyles & King"
Artforum, by Ana Tuazon
October 1, 2021 -
Lily Wong: The Lightseeker
Juxtapoz, by Anthony Cudahy Fall 2021
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Lyles & King will exhibit Mira Schor’s ‘War Frieze’ for the first time in it’s entirety at Art Basel this September
September 23-26, 2021
Basel, CH
Booth #T5 -
“The 10 Best Booths at The Armory Show 2021”
Artsy, by Benjamin Sutton
September 10, 2021 -
"Art Fairs Come Blazing Back, Precarious but Defiant"
The New York Times, by Will Heinrich
September 9, 2021 -
Jessie Makinson at The Armory Show
September 9 - 12, 2021
New York, NY
Booth #P28 -
“A history of conflict, reimagined: How Mira Schor's visceral art tackles the chaos of our times”
Art Basel, by Coco Romack
August 26, 2021 -
Farley Aguilar, Sauvage Effete
Spurs Gallery, Beijing, CH
August 20 - September 18, 2021 -
Catalina Ouyang: "16 Rising Artists of the Asian Diaspora in the United States"
Artsy, by Harley Wong
May 19, 2021 -
Chris Dorland on transforming glitches into artworks.
Foundation, by Lindsay Howard
April 27, 2021 -
Chris Dorland: "Painting the End of the World"
frieze, by Natasha Stagg
April 17, 2021 -
Interview: Painter Jessie Makinson On Temper Tantrums & Setting The Scene
Something Curated March 19, 2021
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Questions and Answers. Aneta Grzeszykowska in Conversation
block, by Rainald Schumacher
24 February 2021 -
Artist Mira Schor on Deciding to Tackle Monumental Artworks Decades of Working Small
Artnet News, by Sarah Cascone February 4, 2021
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Artforum: Mira Schor
Artforum, by Colby Chamberlain
February 2021 -
PAPA RAGAZZE! at Nicodim Upstairs
Contemporary Art Review LA, by stephanie mei huang
January 21, 2021 -
Mira Schor: The Disembodied Mind, review
Doris, by Sharon Butler January 15, 2021
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7 Contemporary Female Painters Breathing Fresh Life Into Surrealism
Lawrence Van Hagen, by Maria Ortiz Rapalo January, 2021
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INTERVIEW WITH SUN WOO
Archive 00,
2020 -
Lose Yourself in Rosa Loy's Fantastical Realities
Art of Choice, by Christina Samper December 3, 2020
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Catalina Ouyang at Lyles & King
Art Viewer, by Aurelia Guo
December 1, 2020 -
Catalina Ouyang: 4 Art Gallery Shows to See Right Now
New York Times, by Jillian Steinhauer November 11, 2020
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Jo-ey Tang & Thomas Fougeirol, Dust: The Plates of the Present
Centre Pompidou, Paris, FR
October 21, 2020 - March 8, 2021 -
Create! Magazine: Farley Aguilar
Create!, by Alicia Puig and Christina Nafziger October, 2020
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Artist’s Artists: Mira Schor nominates Ida Applebroog’s 'Marginalia'
Frieze Masters, by Mira Schor October, 2020
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Catalina Ouyang at François Ghebaly: Materia Medica
Artillery Magazine, by Christopher Michno September 8, 2020
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Mira Schor’s Critical Annotations of the New York Times
Hyperallergic, by Valentina Di Liscia September 28, 2020
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Jessie Makinson's Mythical Femininity in an Aberrant World
Gestalten September 2020
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Catalina Ouyang: "Give it a Twist"
Art Asia Pacific, by Ophelia Lai September, 2020
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Catalina Ouyang: 3 Los Angeles Exhibitions Exploring the Nature of Things
Art and Object, by Paul Laster August 28, 2020
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Johanna Fateman on Mira Schor
4 Columns, by Johanna Fateman August 14, 2020
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Jessie Makinson’s Otherworldly Paintings Are Filled with Enigmatic Tales
Artsy, by Allyssia Alleyne August 24, 2020
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Jessie Makinson at Galería OMR
Art Viewer,
July 20, 2019 -
Lose Yourself in Jessie Makinson’s Fantastical, Impish Paintings
Elephant, by Emily Steer July 13, 2020
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Read My Lips: Mira Schor
Mousse, by Camila McHugh July 3, 2020
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Jessie Makinson’s Furry Darkness: a carnivalesque party
The Guardian, by Skye Sherwin June 5, 2020
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Crisis as portal: Catalina Ouyang talks cosmic flesh, the concomitants of trauma & unravelling the myth safety & security in the aftermath
AQNB, by Gabriel Cohen May 20, 2020
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VR Vertigo No 2: Chris Dorland
Art Review, by J.J. Charlesworth May 1, 2020
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Chris Hood: Technology—The Promise of Magic
Masthead, by Chris Hood April, 2020
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11 Things Not to Miss in the Virtual Art World This Week
Artnet, by Sarah Cascone March 30, 2020
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Catalina Ouyang: Death, As Seen by 8 Female Artists
The Cut, by Julia Gomez Kramer March 10, 2020
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Exhibition: ‘Active user’ by Chris Dorland at Nicoletti Contemporary
CLOT, by CLOT Magazine
February 10, 2020 -
Jessie Makinson: Fakes and Lies
Metal, by Lara Delmage January, 2020
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Digital Montage: On Collage and the Legacy of Modernism
Medium, by Marie Chatel
Jan 10, 2020 -
THE INTERVIEW IN|DEEDS: Chris Hood in 360° | 68 projects
DEEDS, by DEEDS.WORLD
JANUARY 2, 2020 -
Chris Hood On: Technology
Masthead Magazine,
2019 -
Catalina Ouyang: Make Room Gallery
Flaunt, by Morgan Vickery
December 17, 2019 -
Chris Hood
Galerie, by Galerie Editors
OCTOBER 1, 2019 -
CHRIS HOOD PRESENTS PARA @ PRAZ DELAVALLADE IN LOS ANGELES
AUTRE,
October 3, 2019 -
Aneta Grzeszykowska: Image of the Day
Elephant
September 1, 2019 -
Chris Hood and Viola Frey
Meer,
13 AUGUST 2019 -
Word Trash
office, by John Martin Tilley
June 21, 2019 -
Catalina Ouyang
Praxis Interview Magazine,by Brainard Carey
February 28, 2019 -
Farley Aguilar's screamingly urgent figurative paintings
Two Coasts of Paint,
February 14, 2019 -
CATALINA OUYANG : Artist Interview
DE : FORMAL,
February 1, 2018 -
Aneta Grzeszykowska
Artforum, by David Frankel
January, 2019 -
The mysterious women of Rosa Loy’s paintings
Los Angeles Times, BY DAVID PAGEL
DEC. 22, 2018 -
Rosa Loy’s Paintings Are Poetry Without Parable
Elephant,
14 Dec 2018 -
9 of the Most Exciting Artists to Follow from Miami Art Week 2018
Vanity Fair, by Danielle Walsh,
December 13, 2018 -
Catalina Ouyang
Living Content, Interview by Brian Paul
December 12, 2018 -
Aneta Grzeszykowska
4Columns, by Ania Szremski
11.02.18 -
Barbie Girl
office, Interview by John Martin Tilley
October 23, 2018 -
This Artist Stages Scenes of Anxiety and Tenderness with Her Daughter
Artsy, by Ariela Gittlen
Oct 22, 2018 -
9 Art Events to Attend in New York City This Week
ARTnews, BY THE EDITORS OF ARTNEWS
October 9, 2018 -
Chris Dorland: Contemporary Art from Software, Glitches, and Digital Technology
Future of Computing Academy, by Bushra Anjum July 22, 2018
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Exhibition Review: Blood in D Minor, Catalina Ouyang
Musee, by Larayb Abrar July 12, 2018
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Womanhouse
ArtReview, by Lauren Elkin
04 May 2018 -
On Conclusion and Finding: A Conversation Between Yanyi and Catalina Ouyang
Vida, by Yanyi
April 23, 2018 -
Known Unknowns – Chris Hood
FAB UK Magazine, By Danny Holden
6 April 2018 -
"No one is unique. Everything i live has been lived before. I think this is important and beautiful"
#Horst und Edeltraut,
2018 -
The Anatomy of War - AN INTERVIEW WITH CATALINA OUYANG BY MARY SKY
The Rib, by Mary Sky
December 19, 2017 -
Art in the Age of Instagram: Catalina Ouyang
A Woman’s Thing, by Margaret Williamson Bechtold
November 22, 2017 -
Catalina Ouyang: “Let Me Be an Object That Screams”
Artforum, by Jared Quinton September, 2017
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Catalina Ouyang: Snakes and Submission
Office, by Julia Gray July 15, 2017
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Nobody’s Home at DEMO Project
Sixty Inches from Center, by Sight Specific
May 25, 2017 -
5 Questions with Erica Mahinay
Elephant, by Emily Steer May 4, 2017
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Best Of Arts & Entertainment
Miami New Times,
2016 -
14 Emerging Women Artists to Watch in 2017
ArtNet news , by Sarah Cascone
December 21, 2016 -
Envisioning a World Where White Men Are Pedestals for Sculptures
Hyperallergic, by Danielle Wu December 12, 2016
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Artist Catalina Ouyang explores Chinese-American immigrant experience in new exhibit
St. Louis Public Radio,
December 1, 2016 -
The Work and Wardrobe of Artist Catalina Ouyang
St.Louis Magazine, BY HELENE SAYAD
OCTOBER 20, 2016 -
Aneta Grzeszykowska, No/Body @11R and Lyles & King
Collector Daily, By Loring Knoblauch
September 27, 2016 -
Aneta Grzeszykowska: 'No/Body'
New York Times, by Karen Rosenberg September 15, 2016
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Aneta Grzeszykowska at 11R and Lyles & King, New York
ARTnews, BY THE EDITORS OF ARTNEWS
September 13, 2016 -
Aneta Grzeszykowska
Artforum, by Gabriel H. Sanchez
September, 2016 -
Aneta Grzeszykowska
The New Yorker Magazine September, 2016
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The Artist Making Paintings That Are Part Fairy Tale, Part Propaganda
Vice, By Olivia Parkes
April 30, 2016 -
ANETA GRZESZYKOWSKA Selfie
The Brooklyn Rail, By David Rhodes
DEC 14 - JAN 15 -
Tightrope Walk: the show that sums up art in 67 paintings
The Guardian, by Adrian Searle
2 Dec 2015 -
Chris Hood
Art In America, By Eric Sutphin
November 17, 2015 -
Art Means More Than Communication
Contemporary LYNX, by Anna Nowok
19/08/2015 -
Aneta Grzeszykowska Fotomuseum Winterthur
Frieze, by JÖRG SCHELLER
21 MAY 15 -
Rosa Loy In Conversation with Laura Thomson
Ocula, by Laura Thomson
5 October 2014 -
Rosa Loy
ArtForum, by Barry Schwabsky
May 2012 -
Mira Schor: Paintings From the Nineties To Now
X-TRA, by Mike Minelli
Fall 2011 -
The Positive News About Negative Thinking
The Brooklyn Rail, By Abbe Schriber
July - August 2011 -
Rosa Loy
The Brooklyn Rail, By James Kalm
SEPT 2006 -
Art in Review; Rosa Loy -- Neun Wegs (Nine Ways)
The New York Times, by Roberta Smith
July 21, 2006