News

  • ‘Living or Dead, We Want Our Sons Back’

    The New York Times, Photographs and text by Lynsey Addario

    December 20, 2024

  • A Gallery Tour Down New York’s Henry Street in the Lower East Side

    Artnet, by Maya Kotomori

    December 20, 2024

  • 2024: The Year in Pictures

    The New York Times, by Carolyn Ryan

    December 20, 2024

  • Leonora Carrington, the life and art of a rich girl rebel

    The Sunday Times, by Waldemar Januszczak

    December 15, 2024

  • Best New York City Art Shows of 2024

    Hyperallergic

    December 12, 2024

  • Best of 2024: Top Ten

    Artforum, by Franklin Sirmans

    December 2024

  • Five Emerging Artists to Watch at Frieze Los Angeles 2025

    Frieze Magazine

    November 27, 2024

  • Photojournalist Lynsey Addario's exhibition invites viewers to pause

    Daily Maverick, by Emilie Gambade

    October 25, 2024

  • Artist Catalina Ouyang Is Seeking Retribution for Balthus’s Model—and Themself

    Cultured Magazine, by Travis Diehl

    November 21, 2024

  • Kate Meissner’s Paintings Conjure the Mystery and Titillation of a Peep Show

    Cultured Magazine, by Katie White

  • Introducing CULTURED's 2024 Young Artists List

    Cultured Magazine

    November 21, 2024

  • Lynsey Addario, RAW @ Lyles & King

    Collector Daily, by Loring Knoblauch

    October 31, 2024

  • Lynsey Addario’s RAW, Poignant Photography at Lyles & King

    Art Currently, by Ilaria Michie

    October 22, 2024

  • RAW, Lynsey Addario | Lyles & King Gallery

    Musée Magazine, by Rae Quinn

    October 21, 2024

  • Conflict Photojournalist Lynsey Addario’s First Solo Show Spotlights Rarely Seen Sides of War

    Vogue, By Emma Specter

    October 18, 2024

  • ‘Mom, I Want to Live’: A Young Girl Battles War and Cancer

    The New York Times, Lynsey Addario and Liubov Sholudko

    October 4, 2024

  • Tableaux Rosa: Sexuality is on the table at Lyles and King Gallery, NYC (Review)

    Artefuse, by Bash Ortega

    September 27, 2024

  • Software as Underpainting

    Eyebeam, by Brian Droitcour

    September 26, 2024

  • Our Critic’s Must-See Gallery Shows on New York's Lower East Side

    Cultured, John Vincler

    September 25, 2024

  • Spirit House

    Exhibition at Cantor Arts Center, Stanford University

    September 4, 2024- January 26, 2025

  • Seventy Miles in Hell

    The Atlantic, By Caitlin Dickerson, Photographs by Lynsey Addario

    August 6, 2024

  • There's No Place Like Home: Elmer Guevara’s "Recess" at Lyles & King

    Humphrey Magazine, by Karissa Ho

    July 16, 2024

  • For five decades, Mira Schor has blended concept and image

    Document, by Drew Zeiba
    July 5, 2024

  • What to See in N.Y.C. Galleries in July

    The New York Times, by Yinkna Elujoba
    July 3, 2024

  • Catalina Ouyang’s Torture Garden

    ArtReview, by Jenny Wu
    June 11, 2024

  • The Thorny Elisions of Catalina Ouyang's "Trick"

    Asian American Arts Alliance Magazine, by Terry Nguyen
    June 7, 2024

  • Courting Contradiction: A Conversation with Catalina Ouyang

    Sculpture Magazine, by Marcus Civin
    June 5, 2024

  • The mother and the monster in Catalina Ouyang’s ‘Trick’

    Document Journal, by Grace Byron
    June 4, 2024

  • Rosa Loy & Neo Rausch: Bläue

    Kostüme und Bühnenbilder für Lohengrin Bayreuther Festspiele 2018 at Grafikstiftung Neo Rauch
    May 25, 2024 - April 27, 2025

  • Mira Schor: Five NYC Shows to Round Out Your April

    Hyperallergic, by Valentina Di Liscia
    April 16, 2024

  • ‘It’s Been a Marathon’: Mira Schor on the Triumphs and Tragedy of the Older Woman Artist ‘Finally Getting Her Due’

    Cultured, by Ella Martin-Gachot
    April 3, 2024

  • Akea Brionne’s Uncanny Rhinestone Tapestries Unsettle Memory and the Familiar

    Colossal, by Grace Ebert
    March 29, 2024

  • Akea Brionne — Vivid tapestries merging dreams with history and folklore

    WEPRESENT - WeTransfer, by Allyssia Alleyne
    March 27, 2024

  • Catalina Ouyang Interview

    Foundwork, by Sophia Giovannitti
    March 2024

  • CalArts and the Rediscovery of the Feminist Art Program

    carla, by Catherine Wagley
    February 2024

  • The New Painter: Chris Dorland

    Artist talk at Dallas Contemporary
    April 18, 2024, 6:30 pm

  • Interview with Elmer Guevara

    Contemporary Art Review Los Angeles, by Sigourney Schultz
    February 2024

  • In pictures: Frieze Los Angeles’s Focus section explores the notion of ‘ecologies’

    The Art Newspaper, by Alexander Morrison
    February 29

  • Women Artists to Watch at Frieze Los Angeles

    The Cut, by Evan Nicole Brown
    February 21, 2024

  • Essence Harden’s “Ecologies” of the Present at Frieze Los Angeles 2024

    Frieze
    January 4, 2024

  • Decoding Threads with Akea Brionne Seen in her New York Debut “Roses in Southern Soil” at Lyles & King Gallery

    Art Currently, by Yasmina Cabrera
    January, 2024

  • 2023 Foundwork Artist Prize awarded to Valerie Asiimwe Amani Catalina Ouyang, Clifford Prince King, and Sonia Almeida named to short list

    e-flux Agenda
    January 24, 2024

  • T&C Design Dispatch: A Dallas Home Done by Chad Dorsey, Tory Burch Opens L.A. Concept Store, and More Plus, Akea Brionne's show at Lyles & King Gallery

    Town & Country, by Isiah Magsino
    January 23, 2024

  • Akea Brionne: "Roses Grow in Southern Soil" @ Lyles & King, NYC

    Juxtapoz
    January 11, 2024

  • MUST SEE - Akea Brionne Roses Grow in Southern Soil

    ARTFORUM artguide
    January 2024

  • Akea Brionne named to "Forbes' 30 under 30"

    Forbes
    January, 2024

  • 5 Artists on Our Radar in 2024

    Artsy
    January 8, 2024

  • In Her Photo-Based Tapestries, Detroit Artist Akea Brionne Conjures an Afro-Surrealist World

    Artnet, by Katie White
    December 15, 2023

  • Jessie Makinson’s Kaleidoscopic Paintings Are Brimming With Art Historical Footnotes

    Artnet, by Katie White
    November 17, 2023

  • Chris Dorland on the transformation of reality

    Hidden Gems, by Willa Koerner
    November 17, 2023

  • Artists to Watch This Month: 10 Solo Gallery Exhibitions in New York to Have on Your Radar in November

    Artnet, by Annikka Olsen
    November 9, 2023

  • Entretien Avec Mira Schor - Le Langage Est Un Aspect Essentiel De mon Existence

    Beaux Art, by Alexandra Bordes
    October, 2023

  • Lyles & King to Exhibit at Art Basel Miami Beach with Aneta Grzeszykowska and Catalina Ouyang

    Art Basel Miami

  • Catalina Ouyang Selected for Fountainhead Residency 2024

    Fountainhead

  • Zoë Buckman on Her Latest Show at Lyles & King

    WideWalls, by Widewalls Editorial
    Oct 23, 2023

  • Zoë Buckman Interviewed by Philo Cohen

    BOMB Magazine, by Philo Cohen
    October 4, 2023

  • Zoë Buckman On Tenderness, Her Evolution as a Woman and Mother, and Embroidering Her Largest Works To Date

    Colossal, by Grace Ebert
    September 28, 2023

  • Artist Zoë Buckman Has Channeled Her Personal Traumas Into Raw and Intricate Embroidery Portraits, Now on View in New York

    Artnet, by Sarah Cascone
    September 22, 2023

  • Artist Zoë Buckman Celebrates Feminine Resilience and Tenderness in New Work

    WWD, by Kristen Tauer
    September 22, 2023

  • Jewish Artist Zoë Buckman’s Creations Demand to Be Seen

    Jewish Journal, by Alan Zeitlin
    September 21, 2023

  • Kathy Ruttenberg: The FRONTRUNNER Interview

    FRONTRUNNER, by Shana Beth Mason
    August 14, 2023

  • “This Is Out of Hand”

    Sculpture, by Maura Thomas
    September 13, 2023

  • Kathy Ruttenberg: Twilight in the Garden of Hope

    The Brooklyn Rail, by Alex A. Jones
    September, 2023

  • People of the Otherworld: Ken Kiff in Dialogue

    The Brooklyn Rail, by Alfred Mac Adam
    Jul/Aug 2023

  • PAAM Celebrates Mira Schor the Painter

    The Provincetown Independent, by Dorothea Samaha
    Aug 9, 2023

  • Ken Kiff Group Show: People of the Otherworld at Albertz Benda, NYC (Review)

    ARTEFUSE, by Liz Scheer
    Aug, 2023

  • Blissed-Out Art-Overdose: Upstate Art Weekend 2023

    Chronogram, by Taliesin Thomas
    July 25, 2023

  • 'People of the Otherworld: Ken Kiff in Dialogue' opens at albertz benda

    artdaily.com
    July 14, 2023

  • 5 Must-See Summer Group Shows in NYC

    FAD Magazine, by Vittoria Benzine
    July 10, 2023

  • A Boy’s Life on the Front Lines

    The New York Times, photographs, videos and text by Lynsey Addario
    June 26, 2023

  • In a Young Face, the Price of War

    The New York Times, By Terence McGinley
    June 28, 2023

  • Kathy Ruttenberg: Chronogram's Top Picks for Upstate Art Weekend

    Chronogram, by Brian K. Mahoney
    July 1, 2023

  • Lynsey Addario, Known for her Searing Images of Conflict, Is the First Photo journalist to Join Lyles and King

    Artnet, by Sarah Cascone
    June 2023

  • The LGBTQI+ Gaze: Go Pride Month Gallery Cruising at These 6 Queer-Centric Exhibitions

    Artnet, by William Van Meter
    June 2023

  • Kathy Ruttenberg: Twilight in the Garden of Hope

    AirMail, by C.M.
    June 2023

  • Whitehot Recommends: Rosa Loy: Herbarium at Lyles & King

    Whitehot Magazine
    June 2023

  • An Alternative to Frieze? 21 New York Galleries Have Banded Together for a Group Show of Works From the 1970s

    ArtNet, By Taylor Dafoe
    May 17, 2023

  • When 1970s art feels current: new pop-up fair 'disrupts the usual fair week' in New York

    The Art Newspaper, by Torey Akers
    19 May 2023

  • Seeking Histories and Futures in Soil

    Hyperallergic, by Yota Batsaki
    May 2023

  • Penny Slinger and Polly Borland's Photographic Playground

    Cultured, by Ella Martin-Gachot
    April 7, 2023

  • Finding One Another in Misrecognition: Summer Kim Lee Meets Catalina Ouyang

    Momus, by Summer Kim Lee and Catalina Ouyang
    April 2023

  • 10 Women Who Found Freedom in Their Art

    Cultured, by Annie Lyall Slaughter
    March 22, 2023

  • Inside Kiyan Williams’ Earthen Odes to Ancestral Power

    them, by Wren Sanders
    April 2023

  • The Black Artists Claiming More Space Than Ever Before

    The New York Times Style Magazine, by Emily Lordi
    March 2023

  • Trans Abstractions, Decomposing Figurations: Young Joon Kwak and Kiyan Williams

    Texte Zur Kunst, by Morgan Lancaster
    March 2023

  • The Moon Is Trans: On Cultivating An Aesthetics of Reaching / Jeanne Vaccaro in conversation with P. Staff and Kiyan Williams

    Texte Zur Kunst, by Jeanne Vaccaro
    March 2023

  • Chris Dorland, historian for the future

    Two Coats of Paint, by Sharon Butler February 25, 2023

  • Shala Miller: WYBCx Yale University Radio

    WYBCx Yale University Radio, by Brainard Carey
    January 31, 2023

  • Shala Miller: What to See in N.Y.C. Galleries Right Now

    New York Times, by John Vincler January 26, 2023

  • The Body of Absence. Nine questions about the art of Aneta Grzeszykowska

    Artscore, by Michela Ongaretti January 18, 2023

  • IN THE STUDIO WITH SARAH MISKA, THE PAINTER REEXAMINING THE HORSE GIRL

    Ishonest,
    2022

  • Symbionts: Contemporary Artists and the Biosphere

    Air Mail, by J.D.
    2022

  • Shala Miller: The Ten Best Art Books of 2022

    The Brooklyn Rail, by Re’al Christian December 2022 - January 2023

  • Shala Miller: The Defining Exhibitions of 2022

    Art News, by Alex Greenberger December 21, 2022

  • Lily Wong Navigates The Self

    Office, Text by Michael Hall
    December 03, 2022

  • Kiyan Williams Puts the American Flag in a Frying Pan

    Cultured, by Elisha Tawe
    December 2, 2022

  • Lily Wong: Various Small Fire

    Artillery, by Lauren Guilford
    Dec 1, 2022

  • ZAK Berlin : State of emergency – Polish photo art today

    The Eye of Photography Magazine

  • Whose Mother Is Nature Anyway?

    Hyperallergic, by Annabel Keenan
    November 24, 2022

  • Together Forever Caroline A. Jones discusses “Symbionts,” biology, and mutual responsibility

    Frontier Magazine, by BRIAN SHOLIS
    NOV 11, 2022

  • Mira Schor: Six must-see gallery exhibitions during Paris+ par Art Basel

    Art Basel October 18, 2022

  • Has War Changed, or Only War Photography?

    The New York Times, by Arthur Lubow
    Oct. 13, 2022

  • Mira Schor: The Language of Painting

    AWARE, by Matylda Taszycka September 30, 2022

  • Kiyan Williams, Unsettling the Histories of Public Sculpture

    Monument Lab, by Marica Antonucci
    Septemer 26, 2022

  • Rosa Loy at Frauen Museum

    Frauen Museum (DE)
    September 11 - December 11, 2022

  • Armory Show 2022: the Young Galleries That Stole the Show

    Ocula, by Annabel Downes
    13 September 2022

  • Catalina Ouyang & Kiyan Williams: Hyperallergic Fall 2022 New York Art Guide

    Hyperallergic August 31, 2022

  • Catalina Ouyang: Kimball Art Center inspires curiosity and reimagining nature in new exhibitions

    Town Lift, by Kevin Cody August 29, 2022

  • Aneta Grzeszykowska: How Photography Became Gamified

    Creative Review, by Megan Williams August 9, 2022

  • Centre Pompidou : Thomas Fougeirol – Jo-ey Tang : Dust : The Plates of the Present

    The Eye of Photography Magazine

  • Aneta Grzeszykowska: UK photography exhibitions: a lens on the best

    Wallpaper, by Sophie Gladstone July 28, 2022

  • Field Trip: Black Atlantic at Brooklyn Bridge Park

    Tribeca Citizen July 15, 2022

  • Kiyan Williams: "Black Atlantic," temporary sculpture exhibition at Brooklyn Bridge Park, explores Black identity

    CBS News, by Hannah Kilger July 14, 2022

  • An Expansive New Show Celebrates Five Decades of Feminist Art

    Artsy, by Isabel Ling
    Jul 8, 2022

  • Hammer Projects: Kiyan Williams

    Hammer Museum Jul 8, 2022

  • Catalina Ouyang & Kiyan Williams in '52 Artists: A Feminist Milestone'

    The Aldrich Museum, Curated by Amy Smith-Stewart
    June 6, 2022 - January 8, 2023

  • Lily Wong’s Cinematic Paintings Are Filled with Suspense and Longing

    Artsy, by Harley Wong June 6, 2022

  • Your Concise New York Art Guide for June 2022

    Kiyan Williams: Your Concise New York Art Guide for June 2022

    Hyperallergic, by Billy Anania.
    June 1, 2022

  • Hammer Projects: Kiyan Williams

    Hammer Museum, Curated by Erin Christovale.
    May 2022

  • Aneta Grzeszykowska: At the Venice Biennale, a Surreal and Intimate Showing for Photography

    Aperture, by Luca Fiore
    May 26, 2022

  • The Best Shows to See in New York During Frieze Week 2022

    Frieze, by Travis Diehl
    20 MAY 22

  • Kiyan Williams: Black Atlantic

    Surface Mag May 17, 2022 - November 27, 2022

  • Kiyan Williams: Black Atlantic at Brooklyn Bridge Park

    AirMail News May 17, 2022–November 27, 2022

  • Kiyan Williams: Editors’ Picks: 14 Events for Your Art Calendar This Week, From New Paintings by Marc Quinn to a Show About Rockaway Beach

    Artnet, by Sarah Cascone May 17, 2022

  • Kiyan Williams: Six must-see shows during Frieze New York

    The Art News Paper, by Gabriella Angeleti, Benjamin Sutton and Wallace Ludel May 16, 2022

  • Kiyan Williams: Public Art Fund Unveils ‘Black Atlantic’, Along Brooklyn Bridge Park’s Waterfront

    GothamToGo May 17, 2022

  • Kiyan Williams: New public art exhibit in Brooklyn Bridge Park explores ‘hybrid identities’ created by diaspora

    6sqft , by Aaron Ginsburg May 17, 2022

  • Kiyan Williams: New Art Exhibition Explores How the African Diaspora Influenced Cultures Around the World

    WNYC, By David Furst. May 16, 2022

  • Kathy Ruttenberg: Three exhibitions to see in New York this weekend

    Kathy Ruttenberg: Three exhibitions to see in New York this weekend

    The Art Newspaper, by Benjamin Sutton & Gabriella Angeleti
    April 15, 2022

  • PICK OF THE WEEK: Farley Aguilar

    Artillery, by Lauren Guilford April 14, 2022

  • Critics' Picks: Kathy Ruttenberg

    Artforum, by Robert Becker
    April 13, 2022

  • Goings on About Town: Kathy Ruttenberg

    The New Yorker, by Johanna Fateman
    April 1, 2022

  • Catalina Ouyang: Perilous Embodiment

    Flash Art, by Jane Ursula Harris
    Spring, 2022

  • A Survey of Selfhood: Lyles & King’s I is Other by Madi Shenk

    Irradicant
    2022

  • Tossing and Turning: Kathy Ruttenberg

    Haber’s Art Reviews, by John Haber
    March, 2022

  • Kathy Ruttenberg: Sunshine at Midnight

    Brooklyn Rail, by Mary Ann Caws
    March 23, 2022

  • Kathy Ruttenberg: Sunshine at Midnight

    AirMail News March 19 – April 30, 2022

  • "How Jessie Makinson’s carnivalesque paintings 'purposely misunderstand historical imagery'"

    It’s Nice That, by Olivia Hingley
    March 7th, 2022

  • Jessie Makinson at the British Museum

    Fad Magazine, by Mark Westall
    March 4, 2022

  • Phumelele Tshabalala: Contemporary Portraiture by Black Artists at LA Art Week 2022

    Cool Hunting, by David Graver
    February 25, 2022

  • Art Basel Names 289 Exhibitors for Marquee Swiss Fair This June

    ARTnews, by Maximilíano Durón
    February 24, 2022

  • Chris Hood: 8 Buzzworthy Artists to Watch from Felix LA

    Galerie, by Paul Laster February 22, 2022

  • Womanhouse, 1972/2022

    Exhibition at Anat Ebgi Gallery,
    February 18th - April 2nd

  • “Womanhouse—the original matrix for feminist art—turns 50”

    The Art Newspaper, by Jori Finkel
    February 17th, 2022

  • Financial Times: Kathy Ruttenberg

    Financial Times, by Victoria Woodcock
    February 6, 2022

  • Aneta Grzeszykowska: Venice Biennale Reveals Artists for 2022 Edition

    Artforum
    February 2, 2022

  • Sun Woo on how her nomadic childhood inspires her painting practice

    It’s Nice That, by Daniel Milroy Maher
    26 January 2022

  • Frontrunner Magazine: A Conversation with Mira Schor

    Frontrunner Magazine, by Shana Beth Mason
    January 19, 2022

  • THEGUIDE.ART: Jessie Makinson

    THEGUIDE.ART, by Noah Dillon
    December 2021

  • Artist Kiyan Williams on social justice, performance and … dirt?

    Stanford Daily, by Kyla Figueroa November 18, 2021

  • Forms That Don't Yet Exist: Kiyan Williams Interviewed by Louis Bury

    Bomb Magazine, by Louis Bury
    November 10, 2021

  • The New Yorker: Jessie Makinson/Phumelele Tshabalala

    The New Yorker, by Johanna Fateman
    November 8, 2021

  • Catalina Ouyang & Kiyan Willams: The Aldrich Museum Is Updating Its Landmark Feminist Art Show From 1971 With a New Generation of Women Artists

    Artnet, by Sarah Cascone October 13, 2021

  • frieze: Catalina Ouyang Questions White Male Allyship

    frieze, by Simon Wu
    October 8, 2021

  • Artforum: "Critics Picks: Catalina Ouyang at Lyles & King"

    Artforum, by Ana Tuazon
    October 1, 2021

  • Lily Wong: The Lightseeker

    Juxtapoz, by Anthony Cudahy Fall 2021

  • Lyles & King will exhibit Mira Schor’s ‘War Frieze’ for the first time in it’s entirety at Art Basel this September

    September 23-26, 2021
    Basel, CH
    Booth #T5

  • “The 10 Best Booths at The Armory Show 2021”

    Artsy, by Benjamin Sutton
    September 10, 2021

  • "Art Fairs Come Blazing Back, Precarious but Defiant"

    The New York Times, by Will Heinrich
    September 9, 2021

  • Jessie Makinson at The Armory Show

    September 9 - 12, 2021
    New York, NY
    Booth #P28

  • “A history of conflict, reimagined: How Mira Schor's visceral art tackles the chaos of our times”

    Art Basel, by Coco Romack
    August 26, 2021

  • Farley Aguilar, Sauvage Effete

    Spurs Gallery, Beijing, CH
    August 20 - September 18, 2021

  • Catalina Ouyang: "16 Rising Artists of the Asian Diaspora in the United States"

    Artsy, by Harley Wong
    May 19, 2021

  • Chris Dorland on transforming glitches into artworks.

    Foundation, by Lindsay Howard
    April 27, 2021

  • Chris Dorland: "Painting the End of the World"

    frieze, by Natasha Stagg
    April 17, 2021

  • Interview: Painter Jessie Makinson On Temper Tantrums & Setting The Scene

    Something Curated March 19, 2021

  • Questions and Answers. Aneta Grzeszykowska in Conversation

    block, by Rainald Schumacher
    24 February 2021

  • Artist Mira Schor on Deciding to Tackle Monumental Artworks Decades of Working Small

    Artnet News, by Sarah Cascone February 4, 2021

  • Artforum: Mira Schor

    Artforum, by Colby Chamberlain
    February 2021

  • PAPA RAGAZZE! at Nicodim Upstairs

    Contemporary Art Review LA, by stephanie mei huang
    January 21, 2021

  • Mira Schor: The Disembodied Mind, review

    Doris, by Sharon Butler January 15, 2021

  • 7 Contemporary Female Painters Breathing Fresh Life Into Surrealism

    Lawrence Van Hagen, by Maria Ortiz Rapalo January, 2021

  • INTERVIEW WITH SUN WOO

    Archive 00,
    2020

  • Lose Yourself in Rosa Loy's Fantastical Realities

    Art of Choice, by Christina Samper December 3, 2020

  • Catalina Ouyang at Lyles & King

    Art Viewer, by Aurelia Guo
    December 1, 2020

  • Catalina Ouyang: 4 Art Gallery Shows to See Right Now

    New York Times, by Jillian Steinhauer November 11, 2020

  • Jo-ey Tang & Thomas Fougeirol, Dust: The Plates of the Present

    Centre Pompidou, Paris, FR
    October 21, 2020 - March 8, 2021

  • Create! Magazine: Farley Aguilar

    Create!, by Alicia Puig and Christina Nafziger October, 2020

  • Artist’s Artists: Mira Schor nominates Ida Applebroog’s 'Marginalia'

    Frieze Masters, by Mira Schor October, 2020

  • Catalina Ouyang at François Ghebaly: Materia Medica

    Artillery Magazine, by Christopher Michno September 8, 2020

  • Mira Schor’s Critical Annotations of the New York Times

    Hyperallergic, by Valentina Di Liscia September 28, 2020

  • Jessie Makinson's Mythical Femininity in an Aberrant World

    Gestalten September 2020

  • Catalina Ouyang: "Give it a Twist"

    Art Asia Pacific, by Ophelia Lai September, 2020

  • Catalina Ouyang: 3 Los Angeles Exhibitions Exploring the Nature of Things

    Art and Object, by Paul Laster August 28, 2020

  • Johanna Fateman on Mira Schor

    4 Columns, by Johanna Fateman August 14, 2020

  • Jessie Makinson’s Otherworldly Paintings Are Filled with Enigmatic Tales

    Artsy, by Allyssia Alleyne August 24, 2020

  • Jessie Makinson at Galería OMR

    Art Viewer,
    July 20, 2019

  • Lose Yourself in Jessie Makinson’s Fantastical, Impish Paintings

    Elephant, by Emily Steer July 13, 2020

  • Read My Lips: Mira Schor

    Mousse, by Camila McHugh July 3, 2020

  • Jessie Makinson’s Furry Darkness: a carnivalesque party

    The Guardian, by Skye Sherwin June 5, 2020

  • Crisis as portal: Catalina Ouyang talks cosmic flesh, the concomitants of trauma & unravelling the myth safety & security in the aftermath

    AQNB, by Gabriel Cohen May 20, 2020

  • VR Vertigo No 2: Chris Dorland

    Art Review, by J.J. Charlesworth May 1, 2020

  • Chris Hood: Technology—The Promise of Magic

    Masthead, by Chris Hood April, 2020

  • 11 Things Not to Miss in the Virtual Art World This Week

    Artnet, by Sarah Cascone March 30, 2020

  • Catalina Ouyang: Death, As Seen by 8 Female Artists

    The Cut, by Julia Gomez Kramer March 10, 2020

  • Exhibition: ‘Active user’ by Chris Dorland at Nicoletti Contemporary

    CLOT, by CLOT Magazine
    February 10, 2020

  • Jessie Makinson: Fakes and Lies

    Metal, by Lara Delmage January, 2020

  • Digital Montage: On Collage and the Legacy of Modernism

    Medium, by Marie Chatel
    Jan 10, 2020

  • THE INTERVIEW IN|DEEDS: Chris Hood in 360° | 68 projects

    DEEDS, by DEEDS.WORLD
    JANUARY 2, 2020

  • Chris Hood On: Technology

    Masthead Magazine,
    2019

  • Catalina Ouyang: Make Room Gallery

    Flaunt, by Morgan Vickery
    December 17, 2019

  • Chris Hood

    Galerie, by Galerie Editors
    OCTOBER 1, 2019

  • CHRIS HOOD PRESENTS PARA @ PRAZ DELAVALLADE IN LOS ANGELES

    AUTRE,
    October 3, 2019

  • Aneta Grzeszykowska: Image of the Day

    Elephant
    September 1, 2019

  • Chris Hood and Viola Frey

    Meer,
    13 AUGUST 2019

  • Word Trash

    office, by John Martin Tilley
    June 21, 2019

  • Catalina Ouyang

    Praxis Interview Magazine,by Brainard Carey
    February 28, 2019

  • Farley Aguilar's screamingly urgent figurative paintings

    Two Coasts of Paint,
    February 14, 2019

  • CATALINA OUYANG : Artist Interview

    DE : FORMAL,
    February 1, 2018

  • Aneta Grzeszykowska

    Artforum, by David Frankel
    January, 2019

  • The mysterious women of Rosa Loy’s paintings

    Los Angeles Times, BY DAVID PAGEL
    DEC. 22, 2018

  • Rosa Loy’s Paintings Are Poetry Without Parable

    Elephant,
    14 Dec 2018

  • 9 of the Most Exciting Artists to Follow from Miami Art Week 2018

    Vanity Fair, by Danielle Walsh,
    December 13, 2018

  • Catalina Ouyang

    Living Content, Interview by Brian Paul
    December 12, 2018

  • Aneta Grzeszykowska

    4Columns, by Ania Szremski
    11.02.18

  • Barbie Girl

    office, Interview by John Martin Tilley
    October 23, 2018

  • This Artist Stages Scenes of Anxiety and Tenderness with Her Daughter

    Artsy, by Ariela Gittlen
    Oct 22, 2018

  • 9 Art Events to Attend in New York City This Week

    ARTnews, BY THE EDITORS OF ARTNEWS
    October 9, 2018

  • Chris Dorland: Contemporary Art from Software, Glitches, and Digital Technology

    Future of Computing Academy, by Bushra Anjum July 22, 2018

  • Exhibition Review: Blood in D Minor, Catalina Ouyang

    Musee, by Larayb Abrar July 12, 2018

  • Womanhouse

    ArtReview, by Lauren Elkin
    04 May 2018

  • On Conclusion and Finding: A Conversation Between Yanyi and Catalina Ouyang

    Vida, by Yanyi
    April 23, 2018

  • Known Unknowns – Chris Hood

    FAB UK Magazine, By Danny Holden
    6 April 2018

  • "No one is unique. Everything i live has been lived before. I think this is important and beautiful"

    #Horst und Edeltraut,
    2018

  • The Anatomy of War - AN INTERVIEW WITH CATALINA OUYANG BY MARY SKY

    The Rib, by Mary Sky
    December 19, 2017

  • Art in the Age of Instagram: Catalina Ouyang

    A Woman’s Thing, by Margaret Williamson Bechtold
    November 22, 2017

  • Catalina Ouyang: “Let Me Be an Object That Screams”

    Artforum, by Jared Quinton September, 2017

  • Catalina Ouyang: Snakes and Submission

    Office, by Julia Gray July 15, 2017

  • Nobody’s Home at DEMO Project

    Sixty Inches from Center, by Sight Specific
    May 25, 2017

  • 5 Questions with Erica Mahinay

    Elephant, by Emily Steer May 4, 2017

  • Best Of Arts & Entertainment

    Miami New Times,
    2016

  • 14 Emerging Women Artists to Watch in 2017

    ArtNet news , by Sarah Cascone
    December 21, 2016

  • Envisioning a World Where White Men Are Pedestals for Sculptures

    Hyperallergic, by Danielle Wu December 12, 2016

  • Artist Catalina Ouyang explores Chinese-American immigrant experience in new exhibit

    St. Louis Public Radio,
    December 1, 2016

  • The Work and Wardrobe of Artist Catalina Ouyang

    St.Louis Magazine, BY HELENE SAYAD
    OCTOBER 20, 2016

  • Aneta Grzeszykowska, No/Body @11R and Lyles & King

    Collector Daily, By Loring Knoblauch
    September 27, 2016

  • Aneta Grzeszykowska: 'No/Body'

    New York Times, by Karen Rosenberg September 15, 2016

  • Aneta Grzeszykowska at 11R and Lyles & King, New York

    ARTnews, BY THE EDITORS OF ARTNEWS
    September 13, 2016

  • Aneta Grzeszykowska

    Artforum, by Gabriel H. Sanchez
    September, 2016

  • Aneta Grzeszykowska

    The New Yorker Magazine September, 2016

  • The Artist Making Paintings That Are Part Fairy Tale, Part Propaganda

    Vice, By Olivia Parkes
    April 30, 2016

  • ANETA GRZESZYKOWSKA Selfie

    The Brooklyn Rail, By David Rhodes
    DEC 14 - JAN 15

  • Tightrope Walk: the show that sums up art in 67 paintings

    The Guardian, by Adrian Searle
    2 Dec 2015

  • Chris Hood

    Art In America, By Eric Sutphin
    November 17, 2015

  • Art Means More Than Communication

    Contemporary LYNX, by Anna Nowok
    19/08/2015

  • Aneta Grzeszykowska Fotomuseum Winterthur

    Frieze, by JÖRG SCHELLER
    21 MAY 15

  • Rosa Loy In Conversation with Laura Thomson

    Ocula, by Laura Thomson
    5 October 2014

  • Rosa Loy

    ArtForum, by Barry Schwabsky
    May 2012

  • Mira Schor: Paintings From the Nineties To Now

    X-TRA, by Mike Minelli
    Fall 2011

  • The Positive News About Negative Thinking

    The Brooklyn Rail, By Abbe Schriber
    July - August 2011

  • Rosa Loy

    The Brooklyn Rail, By James Kalm
    SEPT 2006

  • Art in Review; Rosa Loy -- Neun Wegs (Nine Ways)

    The New York Times, by Roberta Smith
    July 21, 2006