Chris Dorland

Chris Dorland

CV | Press | Exhibitions

Chris Dorland works at the intersection of painting, image systems, and digital media, examining how images are shaped by the technical systems that produce and process them. Drawing from screenshots, scans, data graphics, compressed files, and digitally generated imagery, the work follows visual information as it moves through layers of software, hardware, and material constraints.

Abstraction emerges not as a stylistic choice but as a byproduct of compression, distortion, and loss. Images are not treated as representations but as outputs of ongoing systems, shaped by the behavior and limits of the technologies through which they pass. These image processes are extended into painting and installation, where mediation, compression, and degradation become material conditions rather than visual effects. Surfaces accumulate striations, noise, and distortions that function indexically, registering system behavior under continuous operation.

Neither fully abstract nor conventionally representational, the work operates as a hybrid interface in which digital and physical logics converge without resolving. Meaning is held in suspension rather than clarified, reflecting a contemporary condition in which systems continue to function even as coherence, legibility, and assurance erode.

Chris Dorland (b. 1978, Montreal) is a Canadian/American artist living and working in New York. His work has been exhibited in FRONT INTERNATIONAL: The Cleveland Triennial for Contemporary Art, Cleveland, US; Nicoletti Contemporary, London, UK; Super Dakota, Brussels, BE. He has exhibited in galleries such as Marc Selwyn Fine Art, Los Angeles, US; Sikkema Jenkins, New York, US; Rhona Hoffman Gallery, Chicago, US. His work is in the permanent collections of the Whitney Museum of American Art, New York, US; Bronx Museum of Art, New York, US; and Neuberger Museum of Art, New York, US among others. He is Director-at-Large at Magenta Plains.

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