Mira Schor

Mira Schor (b. 1950, New York) has exhibited at Bourse de Commerce - the Pinault Collection, Paris, FR; Centre Pompidou-Metz, Metz, FR; Musée d’art contemporain de la Haute-Vienne, Rochechouart, FR; The Jewish Museum, New York, US; The Hammer Museum, Los Angeles, US; MoMA P.S.1, New York, US; the Neuberger Museum, Purchase, US; The Aldrich Museum, Ridgefield, US; Hauser & Wirth, New York, US; Lyles & King, New York, US; David Nolan, New York, US; P.P.O.W., New York, US; Mendes Wood DM, São Paolo, BR and Brussels, BE; and many other institutions and galleries. Schor’s work is in the collections of Museum of Modern Art, New York, NY; Centre Pompidou, Paris, FR; Carnegie Museum of Art, Pittsburgh, US; Centre national des arts plastiques (CNAP), Paris, FR; Hessel Museum of Art, Annandale-on-Hudson, US; Minneapolis Institute of Art, Minneapolis, US; Musée d’Art Moderne de la Ville de Paris, Paris, FR; Norton Simon Museum, Pasadena, US; Pennsylvania Academy of the Fine Arts, Philadelphia, US; Portland Art Museum, Portland, US; Pinault Collection, Paris, FRl; and University of Kentucky Art Museum, Lexington, US. Her work has been included in exhibitions at She is the author of A Decade of Negative Thinking: Essays on Art, Politics, and Daily Life (2009); Wet: On Painting, Feminism, and Art Culture (1997; both Duke University Press); and of the blog A Year of Positive Thinking. She is the co-editor of M/E/A/N/I/N/G. Schor is the recipient of many prestigious awards including a Guggenheim Fellowship in Painting, a Pollock-Krasner Grant, the College Art Association’s Frank Jewett Mather Award in Art Criticism, the Anonymous Was A Woman grant, and the Creative Capital / Warhol Foundation Arts Writers Grant. Schor is represented by Lyles & King, New York and Marcelle Alix, Paris. She lives and works in New York, NY.